Pamela's work explores emerging approaches to nature, landscape, and the self; Her work highlights gestures in which peculiarities and details have the possibility of creating new narratives, searching for ways to approach the notions of image, materiality and memory through drawings and photographs that perceive space as a reflective medium of time.



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Pamela's work explores emerging approaches to nature, landscape, and the self; Her work highlights gestures in which peculiarities and details have the possibility of creating new narratives, searching for ways to approach the notions of image, materiality and memory through drawings and photographs that perceive space as a reflective medium
of time.


Editorial

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︎︎︎ Instagram


A mark on the wall.


A title referring to the first story published by Virginia Wolf “A mark on the wall” deals with the 'spiritual' or psychological aspects of dreams and gaps, seemingly 'unimportant' that we experience in our daily lives.
2022





A stone as poetic memory.
An ongoing research focused on the devastation the landscape has suffered to supply the growth of an industrial city. Through geographical factors (e.g. precipitation, soil and soil erosion etc.) as well as the human factor and our influence on the environment, I intend to establish a conceptual anchor with the time and place of the landscape in a series of six drawings made with charcoal on washi paper that similar to the landscapes fades over time.

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2021




The space between us keeps expanding.


From experimental interventions of movements about a falling leaf as exposed to light at different times during its movement cycle, reflecting on the complex gestures and peculiar path of each leaf.

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2021






Landscape changed my point of view.


A series of reflections abound on the access to the natural world, liable to mass movement; the character and structure of rocks. 

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2020





We cannot observe the samethings.


Revolves around – A series of studies about the photographic image in terms of speculation rather than figurative representation.

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2019






Deeply Sinking Down.


Series of drawings “Breaths” ultimately addresses my performance and collection of breaths during Studio Kura Residency in Itoshima. Introducing walking as both, a loss of control and a seizing of public space.

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2019




Day by day.


BA Thesis – Routine-based performance titled ‘Day by day’, drawing ritual inside a daily routine in which for 287 consecutive days the lines and marks from my sheet bed became a drawing field.
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2018
Editorial`/ CV