The exact hour of the sunset.
Framing a tree native to the region (Caesalpinia Mexicana) and the wind as the main protagonists of the exhibition, from early morning to late afternoon and a 2-minute sunset, the landscapes evolve revealing layers of different moments and movements, light and shadow emerging between the winds.
2023
A mark on the wall.
A title referring to the first story published by Virginia Wolf “A mark on the wall” deals with the 'spiritual' or psychological aspects of dreams and gaps, seemingly 'unimportant' that we experience in our daily lives.
2022
A stone as poetic memory.
An ongoing research focused on the devastation the landscape has suffered to supply the growth of an industrial city. Through geographical factors (e.g. precipitation, soil and soil erosion etc.) as well as the human factor and our influence on the environment, I intend to establish a conceptual anchor with the time and place of the landscape in a series of six drawings made with charcoal on washi paper that similar to the landscapes fades over time.
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A stone as poetic memory.
An ongoing research focused on the devastation the landscape has suffered to supply the growth of an industrial city. Through geographical factors (e.g. precipitation, soil and soil erosion etc.) as well as the human factor and our influence on the environment, I intend to establish a conceptual anchor with the time and place of the landscape in a series of six drawings made with charcoal on washi paper that similar to the landscapes fades over time.
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2021
The space between us keeps expanding.
From experimental interventions of movements about a falling leaf as exposed to light at different times during its movement cycle, reflecting on the complex gestures and peculiar path of each leaf.
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The space between us keeps expanding.
2021
Landscape changed my point of view.
A series of reflections abound on the access to the natural world, liable to mass movement; the character and structure of rocks.
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2020
We cannot observe the samethings.
We cannot observe the samethings.
Revolves around – A series of studies about the photographic image in terms of speculation rather than figurative representation.
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2019
Deeply Sinking Down.
Series of drawings “Breaths” ultimately addresses my performance and collection of breaths during Studio Kura Residency in Itoshima. Introducing walking as both, a loss of control and a seizing of public space.
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2019
Day by day.
BA Thesis – Routine-based performance titled ‘Day by day’, drawing ritual inside a daily routine in which for 287 consecutive days the lines and marks from my sheet bed became a drawing field.
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2018